Reverend Peyton’s Big Damn Band has built its reputation the long, slow, hard way. After 12 years of playing as many as 300 shows each year, Rev. Peyton, the world’s foremost country blues finger-style picker, along with the biggest little band in the country has pieced together one of the most dedicated followings out there. This following is sure to eat up the band’s latest offering, Poor Until Payday, (the second on their own Family Owned Records label through hip Nashville indie Thirty Tigers) out October 5th, a country blues record that was made the right way — two feet on the ground and both hands getting dirty.
With all the power of a freight train, the Big Damn Band is known for its live shows. Rev. Peyton delivers guitar pyrotechnics the old fashioned way — ten fingers, a 6 string and an amp cranked at full tilt. In the country blues style, he plays the bass with his thumb, while picking the lead with his fingers at the same time. When he lifts the guitar behind his head to play there’s nothing but skill and 16 gauge nickel strings to make the sounds coming out of the speakers.
Beside him on stage are just two other people. His wife, “Washboard” Breezy Peyton playing with all the nuance and percussive power of a New Orleans drum line, and keeping the train moving is Max Senteney on a lean drum kit including a 5 gallon maple syrup bucket. Together they play Peyton’s wildman country blues that’s as much ZZ Top as it is Bukka White.
Their newest album "Go PZ Go" was released on June 2, 2018 on Chicken Ranch Records. The band is currently working on a new 7inch to celebrate their 20th anniversary, which will be released in early 2019.
Peelander-Yellow: Guitar/Vocals | Peelander-Purple: Bass
Peelander-Pink: Vocals | Peelander-Green: Drums
With over 9 million views on YouTube, 490k listeners on Spotify and almost 150k followers collectively on Facebook and Instagram, it goes to show how the bands ability to craft songs that resonate with their listeners has projected them to not only best loved live and festival band but also recorded favourites.
Having notable success with their debut album, the band has also received the Triple J feature album, #11 and #71 in the Triple J hottest 100 in 2018. Skegss hard working ethos has also seen them play main stages at Australia's biggest music festivals including Splendour in the Grass, Laneway Festival, Spilt Milk and Groovin the Moo to name a few.
General onsale begins Friday August 9th 10:00AM
At some point between Lubbock and Midland, the land shifts from endless cotton rows and rich farmland into pump jacks and mesquite tree filled pastures. Lubbock roots - country outfit Flatland Cavalry straddles that line between the Panhandle and the badland s of West Texas with their bright, earthy country ballads and gritty folk ramblers. Vocalist and chief songwriter Cleto Cordero's honest, smooth songwriting revolves around the vernacular world of West Texas that he's constructed with dusty, sun - soaked character sketches, brooding self-evaluations, and candid love songs that all have the ability to turn into singalong anthems.
Formed in the fall of 2012, the quintet was rounded up by Cordero after stretches of acoustic outings around the Panhandle town of Lubbock. With guitarist Reid Dillon, fiddler Laura Jane, bassist Jonathan Saenz, and drummer Jason Albers joining Cordero, Flatland quickly began to garner the attention of the masses with the release of the debut EP, Come May, in the spring of 2015. Building off successes of Come May, Cordero and company have been recording their full length follow-up, Humble Folks, during the winter months of late 2015 and early 2016.
Notice to ticket buyers: Support artists are subject to change
Two and a half years after their first session, Scary Pockets have released over 150 videos that have been watched over 60 million times on YouTube. They've collaborated with Darren Criss, Larry Goldings, Casey Abrams, India Carney, Kenton Chen, Mario Jose, Bruno Major, Reeve Carney, Derek Hough, Theo Katzman, Bill Wurtz, and dozens more in a relentless attempt to make familiar songs better - or at least different!
Helmet is celebrating their 30th anniversary this year and plans to mark the occasion by performing a 30 song set each night. They will be playing songs from across their catalogue of eight critically acclaimed studio albums, as well as rarities from older EP's and singles - with the possibility of a few covers mixed in for good measure. There will be no opening acts on any of the shows.
Founder and frontman Page Hamilton reflected on the occasion: "The day John, Peter and I auditioned Henry is the day I consider to be the beginning of Helmet. The year was 1989 and I think the month was May. I love playing this music more than ever with my current bandmates, Kyle, Dan and Dave. To celebrate 30 years of recording and touring we decided to play 30 songs a night in 30 cities in Europe and 30 more cities in the USA. We hope to see you all there."
Helmet was formed in New York City in 1989 by founding members Page Hamilton, Henry Bogdan, Peter Mengede and John Stanier. The group signed to Amphetamine Reptile Records and released their first full-length album, Strap It On, in 1991. A year later, they signed to Interscope Records.
The band found mainstream success with their Interscope debut, Meantime, which debuted at number 68 on the Billboard 200 and spawned the hits "Unsung" and "In the Meantime." In 1994, Helmet explored new sonic territories with the fan favorite and critically acclaimed Betty, which incorporated elements of jazz and blues into their "thinking man's metal." Following an additional album, Helmet broke up in 1998, while Hamilton explored other projects, including various collaborations and film scores.
In 2004, Hamilton reformed Helmet with a new lineup, releasing the album Size Matters that same year. In 2006, they released Monochrome on Warcone records and then released their most recent album, Seeing Eye Dog, via Work Song in 2010.
Since the 2004 revival, Helmet has toured extensively all over the world. In 2012, they toured Europe in light of the 20th anniversary of Meantime and, most recently, embarked on a similar tour for the 20th anniversary of Betty.
Drummer Clementine is the founding member of ZEPPARELLA. From the beginning of her musical career, her goal has been to be onstage every night. The pursuit of that goal has led Clementine to constantly tour the US and Europe in projects as diverse as Bottom, AC/DShe, The House Of More, The Solid, Francis Bakin, Stars Turn Me On and Beaux Cheveux. She tackles the best rock drumming ever written with her own emotionally powerful style, bringing the Motown influence of the Bonham groove to the forefront. The profound musical connection established with Gretchen Menn (guitar), Holly West (bass), and Anna Kristina (vocals) creates the bond required to do this great music justice.
It was under the tutelage of classical guitarist Phillip DeFremery, a student of Andrés Segovia, that guitarist Gretchen Menn began her path on the instrument. Playing with tireless passion and constantly seeking out new challenges, her projects are often unconventional, genre-bending expressions combining elements of classical, rock, progressive, jazz, and metal. On influences, Gretchen has never tired of her initial inspirations--Eric Johnson, Steve Morse, Frank Zappa, and Jeff Beck. But she has loved Jimmy Page's guitar playing longer than she has played the guitar. It was through the music of Led Zeppelin that she found a gateway into music that resonated deeply with her, creating a love for guitar-oriented music, and, ultimately, the guitar.
Bassist Holly West began her musical journey full-steam ahead, and more recently than her stellar playing belies. Her unstoppable will and drive have truly propelled her to this moment and her place in the powerhouse Zepparella. A self-taught bass player, she is also a blossoming vocalist with rich rock pipes. Her time on stage has been well spent, developing an impressive attack, impeccable feel, and a technique which seems to have come completely naturally to her, not to mention her dazzling stage presence and joyful performance style. Her influences span the rock gauntlet, from Clutch and the Rival Sons to Slash, ZZ Top, and of course, the mighty Zeppelin.
Singer Anna Kristina is a soulful, fiery, and rocking vocal powerhouse who has stepped into Zepparella's Plant spot for a second time. Anna was with the band for 5 years, became known for her performance in the band's 10 million-view "When The Levee Breaks" video, took a 6-year hiatus, and now returns in 2018 to front the band. Her career has spanned acoustic, jazz, soul, rock, and her charisma and power delivers captivating performances every night. About her brilliant harp playing she says: "getting a chance to blow on the harmonica is an added bonus! Plant isn't just a singer he's a musician. He brings his blues background and natural percussive feel to his harmonica playing as well and I love getting lost in that. Playing the harp allows me to express on a whole different level and it's so freeing." Now more than ever, Zepparella explores their own improvised magic within the framework of Zeppelin's mighty songs!