Fou Fou Ha is San Francisco's premiere cartoon performance ensemble mixing dance theater, character interaction and a bedazzled fashionista trixter magic.
Since 2001, the Fous have activated events, put on full game and variety shows, told stories (albeit in gibberish) and brought play and the absurd to events across the nation, having recently sprouted a NY branch known as Fou York.
Described as having a Fosse precision with a Jim Henson sensibility, Fou Fou Ha truly represents the mashup of San Francisco drag, mixed with witty political acts and a fashion forward paradigm blender with a twist of party monster. Part glitter, part Fool archetype, part dance company and inhibition annihilators.
Welcome to the Fou dimension...enjoy the ride!
Okilly Dokilly is the world's only Nedal band. Hailing from Phoenix, Arizona, a majority of the band's lyrics are direct Ned quotes. The band's members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.
Established in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.
Okilly Dokilly's live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage. As of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.
Founded by Chris Freeman (bass player from iconic queer punk band Pansy Division), the idea for GayC/DC came from bouncing around names for more tribute bands with gay members after he'd been playing with the Gay Gay's (gay tribute to the Go Go's) for more than a decade. After the Gay Gay's went on hiatus, Freeman moved forward with forming a band that could be as good as AC/DC.
Freeman began by recruiting lightning-speed guitarist, Steve McKnight after meeting him online and sharing similar musical tastes. McKnight has been a part of the LA music scene since the late '80s in Cry Wolf, a melodic hard rock band that made their mark on the Sunset Strip and beyond with several major albums under their belt.
Also recruited was Karl Rumpf on rhythm guitar, who Freeman had met while on tour with Pansy Division and later worked with in a band/project called Dart. Rumpf was also in the last incarnation of the Gay Gay's, along with drummer Brian Welch who Freeman had also met while on tour. Welch had spent years touring with Extreme as their drum tech, so he was a natural fit.
This four-piece spent months looking for a gay vocalist to no avail. Finally, Freeman asked the others if HE could audition. Nervously, he did, the band agreed, and they were off--but now they needed a bassist, so Freeman recruited bass player extraordinaire, Glen Pavan, once again someone Freeman had met while on tour. Pavan had previously been keeping the low end down for LA queer punk rockers Best Revenge (who got their name from a Pansy Division song).
Now in their third year as a band, the word of mouth has been intense, even scoring a "pick of the week" in LA Weekly for a recent LA gig.
The band remains true to the music (working diligently to replicate the actual sound of AC/DC), while playing around with the lyrics and changing pronouns to suit the gay angle. Hence, TNT becomes PNP (a song about the "party-n-play" status some gay men post in their online sex ads), Bad Boy Boogie becomes Gay Boy Boogie (do you really need to ask?), and Big Balls needed ... no changing at all!
To say the band is off-the-hook live is an understatement. There is never a dull moment with all the costume changes and props being trotted out, all in the name of outrageous entertainment. Even those who say they don't like AC/DC end up being fans.
THE STORY OF METALACHI...
On a hot summer night in Veracruz Mexico circa 1982, Consuela Espinoza stumbled out of her dilapidated shanty and into Rock N Roll history. What began as an innocent night of snorting horse tranquilzers in a hotel room with seven members of the village jai alai team went on to produce the greatest metal band to ever live. Unhampered by a steady regime of tequila and ill advised sumo lessons, nine months later five bastard children where born. Unable to care for her hungry offspring and concerned that motherhood would seriously interfere with her Tuesday night Karaoke league, Consuela hastily packed the babies into the saddlebags of a burro and sent her children off to America in search of a better life. Against all odds, 14 years later, and nearly dead from dehydration, the burro knelt down to drink from the stagnant waters of the Rio Grande just ouside of Juarez Mexico -mere yards from the U.S. border. With one fleeting burst of energy the brothers Espinoza cinco climbed from their leather restraints and scampered the vast reaches of the river, collapsing onto the sweet amber hue of American soil. As if by destiny, lodged in the sand beneath their tanned faces was a record sleeve upon which were the words "PARANOID" and "BLACK SABBATH". For many years to follow, this definitive black metal album served not only as a teacher and a mentor..but also as a friend. From these bleak and humble begins grew the seed that would OFFICAL BIO
eventually be the band we know today. Often referred to as the greatest heavy metal band to ever live..always referred to as...METALACHI.