Born in New York, raised in New Mexico, moved to San Francisco in 1994. Touring musician, guitarist/singer-songwriter, played or play with T.E.N., George Clinton & P-Funk, Eric Burdon & The Animals, EMT, Stockholm Syndrome, Faraway Brothers, Alien Lovestock, Angry Babies and more. Have also done stuff with Les Claypool, Joe Strummer, Reverend Horton Heat, Jackson Browne, Bernie Worrell, Nels Cline, Keb Mo, Gov't Mule, Mike Watt, The Coup etc. Have made a bunch of records. Managed by phYne Entertainment....blah blah blah etc.
Voted by BURLESQUE MAGAZINE as one of the Top 10 Burlesque shows in the USA!
A sinful circus of burlesque, fire-dancing, DJs & debauchery. Every Sunday night for 16 years...the longest-running weekly cabaret show on the west coast!
Scott Pemberton Band is an emerging force on the national festival and club circuit, with his wild approach to the guitar and nimble funky band he is immediately recognizable and undeniably original. He doesn't use a strap, often plays the guitar like someone would play piano and performs with the uninhibited joy and intensity of someone who recognizes that every time we make music is an honor and a gift.
After five years of touring as the percussionist of The Swans, Thor Harris began Thor & Friends in the autumn of 2015 as a vehicle to experiment with a cast of rotating Austin based musicians in the vein of American minimalism. As an instrument carpenter and acoustic polyglot, Thor & Friends is the sound of Harris' return home -- an elongated greeting and ode to his community, woodworking shop and the instruments his hands bring texture too.
With the three core members of Harris, Peggy Ghorbani and Sarah "Goat" Gautier, the expanding and contracting ensemble works within the flux of compositional and improvisational contexts, where the range of tonal color depends on what instrumentalists are joining or absent from the process. They can perform acoustically or with hues of electronic instrumentation, as a stripped down trio or a large ensemble. In addition to drawing on minimalist composers such as Terry Riley and Steve Reich, Thor & Friends amalgamate the diverse influences of Brian Eno, Aphex Twin, Moondog and The Necks through a polyrhythmic center of mallet instruments, primarily marimba, xylophone and vibraphone. Around the core motifs of the aforementioned mallet timbres are shifting streams of everything from processed pedal steel and analog synthesizer to violin, viola, stand up bass, clarinet, duduk and oboe.
The group builds off of the similarities and contrasts of Harris' past projects and continuing collaborations, which include The Swans, Ben Frost, Bill Callahan, Hospital Ships, Shearwater and John Congelton. The result ushers in a utopian optimism contemporized through 20th century predecessors via the promise of improvising with neighbors and friends and utilizing what and who is around at any given moment.
Thor & Friends debut LP will be out on LM Dupli-cation in autumn 2016 -- recorded with A Hawk & A Hacksaw's Jeremy Barnes and Heather Trost and Deerhoof's John Dieterich in Albuquerque, New Mexico -- at which point the transcendent live performance that's drifted across Central Texas over the last year will continue its crescendo across North America and Europe.
*WIMPY RUTHERFORD & THE CRYPTICS: Featuring Wimpy Rutherford, original singer from The Queers. The Cryptics back him up for a full set of The Queers early material from '81-'84 era as well as a couple other Queers-related projects like the Drunken Cholos & The Jabbers. This tour is in support of the new upcoming live LP "Wimpy Rutherford & The Cryptics - Live @ the Brickhouse.")
Check out the new live album here: http://pinehillrecords.com/product/live-brickhouse-lp-dvd-download-card/
The Cryptics page: www.facebook.com/TheCrypticsOfficial
Jesse Dayton has been building a cult following around the globe playing festivals in North America and Europe for years with his guitar shredding, country-infused, Americana sound. As a critic's darling for his first record on Justice Records, Raisin' Cain (1995), and a number one Americana radio ranking, Jesse was hired at a young age to play lead guitar on some of the last recordings, and play live, by country legends Waylon Jennings, Ray Price, Johnny Bush, Willie Nelson & Glen Campbell and he's been featured in many guitar magazines.
Rock 'n' Roll ain't pretty and neither is Scott H. Biram. The self proclaimed 'Dirty Old One Man Band' successfully, and sometimes violently, lashes together blues, hillbilly and country precariously to raucous punk and godless metal.
Biram ain't no candy-ass singer/songwriter either, sweetly strumming songs about girls with big eyes and dusty highways. His singing, yodeling, growling, leering and brash preachin' and hollerin' is accompanied by sloppy riffs and licks from his '59 Gibson guitar and pounding backbeat brought forth by his amplified left foot. The remainder of this one-man band consists of an unwieldy combination of beat-up amplifiers and old microphones strung together by a tangled mess of guitar cables.
Years of non-stop touring have honed his assault to a fine edge; his wide-eyed throw downs in the First Church of Ultimate Fanaticism routinely lead giddy followers to a fiery baptism.
The Goddamn Gallows formed in 2004 by founding members and Lansing/Detroit natives Mikey Classic on guitar and vocals, Fishgutzzz on upright bass, and Amanda Kill on drums -replaced by current drummer Uriah Baker (aka; "Baby Genius") in 2006. The trio started out migrating around the West for a time, holing up in Hollywood squats and squalid apartments, before releasing several albums: The Gallows EP (2004), Life of Sin (2005), and Gutterbilly Blues (2007), and finally hitting the road nearly full-time to establish their presence in the psychobilly-country scene while honing their self-described "twanged-out punk rock gutterbilly". In 2009 the addition of Avery, a fire-breathing, accordion and washboard player, as well as Jayke Orvis (formerly of the .357 String Band) on mandolin and banjo, prompted The Goddamn Gallows to explore many new directions with their songwriting and in their live performances. As evidenced on their most recent 2009 album, Ghost of The Rails, and as witnessed by their spectacular and tireless live shows, The Goddamn Gallows began to forge a path founded on their very own brand of contagious primeval abandon: an unpretentious and from-the-gut carnivalesque smorgasbord of parts old time revival, circus sideshow, and good old-fashioned rock and roll. The result falls dead center into a head on collision between something like a Western honky-tonk impromptu parking lot rodeo, and Suburbia (the 1983 Penelope Spheeris cult classic film, not the location). Though still officially Michigan-based, they have toured relentlessly since 2007, practically living out of their van and regularly performing as many as 200 dates a year. They've supported such acts as Nekromantix, Slim Cessna's Auto Club, Mad Sin, The Legendary Shack Shakers, and even the King of Surf Guitar legend Dick Dale. They continue to rapidly grow a devoted following built on their visceral and volatile blend of multiple American music styles, and frenetic live energy -but still with just enough hardcore and punk influence to make your parents hate it.
The Goddamn Gallows will soon be releasing 7 Devils, their much anticipated fourth full-length album and Farmageddon Records debut on vinyl and CD. The forthcoming album features recording veteran and lap steel extraordinaire Andy Gibson (of Hank III), as well as promising up and comer Joe Perreze of the Perreze Farm sitting in on clawhammer banjo. An extremely limited edition 7" on red vinyl, titled Rags & Bones, will accompany the 7 Devils release due out May of 2011. Additionally, the entire catalogue of The Goddamn Gallows (Ghost of the Rails, Gutterbilly Blues, and Life of Sin -which is currently out of print) will find its way back to the light of day by year's end, re-released and available on vinyl, CD, and digital download from Farmageddon Records.