Events

Dante's & Dead Nation Presents
August 2, 2017 8:30 pm

Tastemaker Live & Sean Healy Present
August 10, 2017 9:00 pm

Dante's Presents
August 15, 2017 9:00 pm

Professor Gall seeks to uncover the contradictions of an ambiguous and native-less society, 'dreaming the existentialists' dream', while at the same time pleading for individualism, peace, and more fun at funerals. The Portland, Oregon... Read more

Professor Gall seeks to uncover the contradictions of an ambiguous and native-less society, 'dreaming the existentialists' dream', while at the same time pleading for individualism, peace, and more fun at funerals.

The Portland, Oregon conglomerate starts with Drew Norman on vocals, guitar, percussion stomp box and banjo, who brings his theatrical experience to the musical stage and is responsible for the initial musical and lyrical embellishments. Drew's recent side roles include the 'Husband' in the stage and movie version of Sally Tomato's TOY ROOM (Severe Enterprises), a rock opera that won accolades from The Heart of England Film Festival, studio recordings and live shows with Will West, Kory Quinn, Orchestre L' Pow and the Wanderlust Circus. Scott Johnston heads up the first chair position for the horn section, arranging charts and providing his saxophone alchemy. Rounding out the ensemble is Monte Skillings on trombone, John Stewart (Live Wire, Storm Large), Sean Hudson (Orchestre L'Pow) on stand-up bass, Don Henson (Sneakin' Out) and Andrew Alikhonov (Chervona) on clarinet. Biography Critical acclaim for their first full length CD 'Intravenous Delusion' has enabled Professor Gall to become a regional favorite, sharing the stage with acts like The Devil Makes Three, Eric McFadden Trio, Slim Cessna's Auto Club, Billy Nayer Show, Vagabond Opera, the Dandy Warhols, and Sleepytime Gorilla Museum at venues throughout the USA and Europe as well as festivals and conventions like the Folklife Festival (Seattle WA), Portland Umbrella Festival, Gearcon (Portland,OR), Teslacon (Madison,WI) and Steamcon (Bellevue, WA) Wild Wild West Steampunk Con (Tucson,AZ). The band released in March of 2010 their sophomore release entitled 'The Psychology of Booze and Guilt' to rave reviews. PG's third release, 'Magnetic Roots' came out on April 20th, 2013.

Professor Gall was recently featured by Seattle's City Arts Magazine as the Portland, Oregon representative of the National Steampunk Movement, along with the Dresden Dolls (Boston), Abney Park (Seattle) and Unwoman (San Francisco



 After more than a quarter century as a band, there's really only one thing you can count on being the same with each new record from the Swingin' Utters, and that is that they're going to make it a little different. “From the ... Read more

 After more than a quarter century as a band, there's really only one thing you can count on being the same with each new record from the Swingin' Utters, and that is that they're going to make it a little different. “From the first record, I wanted to mix it up as much as we could,” says co-founder Darius Koski. “Playing with different genres and instrumentation makes it more interesting. As long as it's a cohesive record, it works for us.”

That dedication to not replicating any standard “Swingin' Utters sound” has resulted in what may be their most cohesive (and paradoxically, one of their most diverse) records yet: the brand new long-player Fistful of Hollow, which explores the Utters' interests in far afield sounds including Britpop, mod, Celtic, country, folk, and—of course—a solid foundation of West Coast punk rock.

Helping lend to the album-to-album multiformity is the fact that for the second album in a row, a member made his first forays into tunesmithing for the band. Devotees will remember that last time around (on 2013's Poorly Formed), guitarist Jack Dalrymple stepped up to the plate, and this time around bassist Miles Peck got his first at-bat, co-writing four of the album's fifteen tracks with vocalist Johnny Bonnel.

“It wasn't weird when Miles brought these songs, 'cause they're not punk songs,” says Koski. On working with Peck, Bonnel says, “Collaborating on art has got to be one of the most gratifying things for me. I'm surrounded by truly unique and interesting brains in the Swingin' Utters.” Acknowledging that punk bands get easily pigeonholed sonically, Koski adds “We're not that type of band anymore. I think people expect we'll have some weird stuff on the record.”

Weird might not be a proper description for the head-bobbing title track (penned by Darius himself), but extraordinary definitely is, in both senses of the word: it is quite excellent, but also quite out of the ordinary, with a jangle reminiscent of many mainstays of late '80s/early '90s college radio. The title and cover art are also a tip of the hat to a heralded album from one of the greatest bands of that era, The Smiths and their classic Hatful of Hollow.

Since returning from an eight year recording hiatus in 2011, Swingin' Utters have been downright prodigious, releasing three albums in four years. And with so many influences, and so many band members pitching songs into the mix, it won't be long before there's a whole new batch of songs for you to suckle from the sonic teat of the Utters. “If it was up to me, we would've had a record every year from the time we started,” exclaims Darius, “but we're just glad to get back on the map again an go on a real tour and see what happens.”

Pick up Fistful of Hollow on November 11, and look for the band to swing through a town near you this winter supporting old pals Lagwagon before heading out on their own headliner in the spring.

 


September 15, 2017 9:00 pm

Marshall Crenshaw y Los Straitjackets combines the shared sensibilities of a pop-rock maestro & a band of guitar-wielding masked marauders. Marshall Crenshaw learned to tune a guitar at age ten and has been making music ever since. ... Read more

Marshall Crenshaw y Los Straitjackets combines the shared sensibilities of a pop-rock maestro & a band of guitar-wielding masked marauders.

Marshall Crenshaw learned to tune a guitar at age ten and has been making music ever since. His first big break came in 1978 playing the role of John Lennon in “Beatlemania” on Broadway. Over the course of a career that's spanned nearly four decades, 13 albums, Grammy and Golden Globe nominations, film and TV appearances (Buddy Holly in "La Bamba") and thousands of performances, Crenshaw's musical output has maintained a consistent fidelity to the qualities of artfulness, craftsmanship and passion, and his efforts have been rewarded with the devotion of a broad and remarkably loyal fan base.

“Although he was seen as a latter-day Buddy Holly at the outset, he soon proved too talented and original to be anyone but himself.” - Trouser Press

Los Straitjackets are the leading practitioners of the lost art of the guitar instrumental.  Using the music of The Ventures, The Shadows, Link Wray and Dick Dale as a jumping off point, the band has taken their unique, high energy brand of original rock & roll around the world.  Clad in their trademark Lucha Libre Mexican wrestling masks, the “Jackets” have delivered their trademark guitar licks to 16 albums, thousands of concerts and dozens of films and TV shows. 

“…novelty is a key ingredient, but it’s elevated by the band’s good-natured sincerity and skill.”   –NPR World Café  

 


Soul'd Out Presents
September 23, 2017 9:00 pm

NERVE evolved out of Jojo Mayer's legendary party event Prohibited Beatz in NYC during the late 90′s. Initially a platform for experimental interaction between DJ's, visual artists, musicians and the audience, the collective eventually ... Read more

NERVE evolved out of Jojo Mayer's legendary party event Prohibited Beatz in NYC during the late 90′s. Initially a platform for experimental interaction between DJ's, visual artists, musicians and the audience, the collective eventually developed into a fine tuned group that cross-pollinated the premeditated format of programmed electronic music styles with real time, improvised music performance. Within that format, the band assimilated a wide spectrum of electronic styles from old school Jungle, Dub Step or Glitch beats to Minimal and Tech House and anything that could escape genre descriptions yet. In the process, the group managed to acquaint a new audience with improvised music for the first time and ultimately bring the Jazz tradition of improvisation, driving rhythms and stylistic evolution to the digital age. Meanwhile, it embraces the essence of Rock 'n Roll of having a good time and showing the finger to anyone who has a problem with it. NERVE re-examines and transcends the relationship between human creativity and digital technology and created a new form of musical expression which is completely unique in the world today.

NERVE is:
Jojo Mayer: Drums
John Davis: Bass
Jacob Bergson: Keyboards
Aaron Nevezie: Sound and Audio Manipulation


Take Warning Presents
September 27, 2017 9:00 pm

Dante's Presents
October 28, 2017 9:00 pm

In celebration of 3 decades together, TKK will hit the road this fall for the 30th Anniversary Show; a 25 city North American tour commencing October 5th. Joining Groovie Mann and Buzz McCoy will be Mimi Star on bass, "Bomb Gang Girl" Arena... Read more

In celebration of 3 decades together, TKK will hit the road this fall for the 30th Anniversary Show; a 25 city North American tour commencing October 5th. Joining Groovie Mann and Buzz McCoy will be Mimi Star on bass, "Bomb Gang Girl" Arena Rock, and drummer Bradley Bills from the Austin band CHANT. To commemorate the event, the band will be performing their iconic Wax Trax! albums "I See Good Spirits And I See Bad Spirits" and "Confessions Of A Knife" in their entirety, as well as other TKK favs!  


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